noun. a test of courage
adjective. made with basic ingredients
verb. to make a living by hard work and especially through irregular means; to scrape the surface
In the theatre world, "scratch" is the name given to any kind of performance that is presented to an audience in its early stages of creation and with little or no budget - it's never been seen before, and it is yet to be polished and finished.
Scratch performance has often only been rehearsed a few times, and performers - if using text - have scripts in hand. Taking time off work to rehearse and learn lines is expensive, and we can’t all afford to do that. So we embrace it all, whatever stage of development it’s at.
There’s nothing like it - it’s raw, it’s exciting, it’s experimental, it’s the first step into the unknown. It’s a thrill to make it happen, and even more of a thrill to watch it unfold.
There are very few opportunities for new and previously untested live performance to meet audiences. We believe in taking creative risk on new work, prioritise to paying artists a fair portion of profit, and commit to share resources, energy and help to realise work fully.
We believe in scratch nights. They connect us, they're endlessly fun, adventurous and welcoming.
Scratch nights remind us you don't have to show up perfect - you just have to show up.
Harry Ward, Meghan Tyler + Cathan McRoberts, Up the RA at Christmas by Meghan Tyler, June 2024 (Photo: Jayme Bartlett)
Our nights are curated by a different artist each time.
We believe in loudly and proudly loving the work we love. We make space for others to do the same. We don't withhold resources and support based on our personal likes and dislikes. No one made us the arbiters of taste.
Raymond Wilson, I'm On Fire, June 2024 (Photo: Jayme Bartlett)
Our flagship offering, we run scratch nights of never-before-seen new performance in Glasgow three times a year.
At _and friends, each scratch night we produce is curated by a different artist, company or organisation from the pool of talent in their circle - one of the best things about the creative industries is that our colleagues often become our friends, and our nights are a chance to celebrate the connections we make through our work and expand our communities.
While the programme is entirely up to each curator, we encourage you to consider inclusion and representation, and take the responsibility of any platform seriously.
_and friends is a platform for new theatre - text-based work and other forms, depending on the expertise of each curator. These events currently run on a profit-share model, and we offer both free rehearsal space and artistic development opportunities to our artists alongside the night itself.
Our nights run cabaret-style - 1.5 hours, no breaks, just performance.
We invite audiences to submit anonymous feedback through an online form. We collate and distribute this feedback to artists for their development.
There is so much talent in Scotland, and we’d love to hear from you - artists, companies, organisations of all sizes who would be interested in programming a night of new work from their network or pool of artists you support through your own initiatives.
As guest curator + host, you programme whatever is exciting you, showcase you and the people who inspire you in your professional community, bringing their work to new audiences.
This is a grassroots initiative, open to anyone with professional training or experience at any stage of their career. To learn more about how we define early career, emerging, mid-career and established creatives, see our Career Stage Guidelines.
When we say it’s YOU and friends, we mean it. Programme whoever you want across any and all genres of live performance. We’d love it if the work brought to the night hasn’t been seen by a paying public audience before, however, sharing excerpts of work going through development or work that has production dates in the diary is grand. Artists can be folk you’d love to get up on a stage / in front of an audience they may not have had access to before, and the work must be safe and easy to perform with limited tech + stage management support.
If you are interested in curating + hosting one of our nights, email us to start a conversation. We will ask you about you, your work and what kind of work you'd like to programme, and send you our Curator Handbook in the first instance.
We promise our curators and artists a fair, transparent share of any money we make through tickets sales.
We have wrestled with many profit share models, crunching numbers on various scenarios for percentages + fees, and going forward _and friends will operate on a 40/60 profit share split - 40% of takings covering our venue hire fees and wages for our stage management, FOH and producing team. Any remaining profit is channeled directly back into our organisation to support what we do. The remaining majority 60% share goes directly to guest curators + artists. We pay artists directly within a week of the performance date.
We don’t offer comp tickets. As our artists are paid directly from ticket sales, we invite industry guests with the caveat that entry will not be free.
We offer two ticket price tiers - £12 seated and £10 standing. In our current venue, we have space in the venue for 50 seated and 30 standing. We have been able to offer cheaper tickets thanks to donations made through our Ko-fi page, but as this is not a regular income stream. To keep fees as fair as possible for our artists, tickets will remain at these price points.
We charge what we charge for tickets because art is work, whatever stage it's at.
Photos: Jayme Bartlett
Are we missing anyone? Please let us know.